When expensive, sometimes irreplaceable art is stolen the story is usually about the method of the thieves and not the actual art. From what appears to be a small amount of art admirers around the world, art heists are common in those circles and the owners can feel the loss of their prized possessions. Art thieves make a lot of money from the items they steal, so they must be skilled just like a doctor or a lawyer.
Understanding why someone would steal a priceless painting under such risky circumstances is basic economics. If a thief takes something, there is more than likely a high market value for the item. Although it is common knowledge among art lovers that the art is usually undervalued monetarily, thieves still take the chance to make a 100% profit. Art’s market value correlates to the unusual market visual art occupies. Most individuals who buy expensive, one of a kind paintings of Van Gogh or Rembrandt usually have more money than thy know what do to do with and buy to enhance the status in their social circles. Stealing one of a kind pieces can also be an enhancement to the status of the thieves in their social circles, which is why the game continues to be played.
An art heist is not worth participating in if the thieves are just looking for a thrill. The thieves are most likely approached by buyers who want a specific painting or artist’s work. Those who pay a thief to steal a painting that cannot be sold or even displayed are criminals with the appreciation for fine art. Although the market value of most paintings is undervalued, many across the world adore art. The value of art to the individual is much higher, which is why wealthy people pay much more than the market suggests. From an economical standpoint, money being circulated in is good unless it is stimulating the black market.
Art Theft: Skill, Money, and Love
Sofonisba Anguilssola: Live Beyond Expectations

- Image via Wikipedia
Throughout the course of history, women have had their place. While until recent times, that place was often in the background or in the home, there have been women through the ages who refused to stand back or stay home. In the world of Italian Art, there were several women artists, who worked diligently to open the doors for women of the future. Sofonisba Anguissola was one of these amazing, brave female artists.
Born in 1531, Sofonisba Anguissola was the first of what would be seven children from her mother and father’s union. Of her seven siblings, only one sister held similar artistic talent. Unfortunately that talent was never realized, as that sister died at an early age. Sofonisba was encouraged by her father to pursue her artistic desires despite the fact she was female. She first studied at the Bernardino Campi workshop and moved on to the Bernardino Gratti studio to further hone her skills.
Sofonisba was revered to be one of the first celebrated female painters of the Renaissance as she gained notoriety. More than fifty paintings have been recognized as belonging to her, making her a very productive painter. Sofonisba’s art was known for its attention to detail, but was considered distinctive because while she painted portraits for income, she did nothing to compliment the subject. It was her skill and immense focus on the tiniest details that lent her portraits to become so realistic one could expect them to move at any moment.
Of all the portraits she’d painted, Sofonisba’s self portraits clamored for the focus of attention to be drawn to who she was as a person, rather than merely her profession. Never seen as an artist in self portraits, Sofonisba rather portrayed herself as a prominent woman surrounded by a culture and immersed in status. It seems she would rather have been seen as an intelligent, refined woman who is confident, educated, and sophisticated than merely as an artist alone. Sofonisba Anguissola may have lived over 300 years ago, but her desire to live beyond expectations is echoed even today.

